Can we cure our illness with words? By multiplying the bridges between the living world and our humanity? #BridgingTheGaps #FertileDisobedience #BetweenUs
Currently developing Theia MediaLab (working title), an independent #SlowNews ecofeminist media emancipating our consciousness from expressions like anticapitalist, antipatriarchy, antidomination, decolonization. Let's (re)build a tangible and fertile lexical field for neologisms.
Foster the emergence of our exoisms (copyleft Damasio), stimulate our critical thinking to tame our cognitive biases.
If inequality seemed to have diminished in recent decades, it is just because, hidden in the shadows, patriarchy was slyly proceeding with its face masked'. Hidden behind insidious rhetoric, it replaced meaningful words with operational concepts, de facto reducing our cognitive abilities. Bewitched, our collective intelligence has somewhat sunk into cognitive dissonance. So here we are now, assigned to resistance against this artificial humanity.
If I choose the point of view of women, it is because we are the only ones who are both crazy and wise enough to defeat this old world and invent the next one.
After social conquests, haro on mental conquests. Our brains are lazy. Let's challenge them!
THE ENEMY (2013 - 2017): www.theenemyishere.org International coproduction, 120 persons over 4 years. Multiusers VR installation & AR mobile app. Official selection "Tribeca Film Festival Storyscapes" and "Futur en Seine" and "Sunny Side of the Doc" 2015, Award "Rose d'Or" 2017...
MOZART 360° (2016-2017): a 360° immersion in the orchestra with its 3D spatial sound. A unique way of feeling the music, an “almost physical encounter” with Mozart’s work. https://www.youtube.com/watch?v=9a7ssaWUsvA&t=2s
Projects in development (2018): VR experiences: Bruegel VR, Waterlilies VR, Beethoven 360 and cinematic animated series Amnesia
XR Content Impact Distribution
Camera lucida productions
Since January 2015
Work with directors to create innovative solutions for impactful XR experiences
Work with creators and executive producers to write grant submissions
Initiate and plan impact assessment by establishing baselines that allow for any variance measurements and change control
Demonstrate new thinking in the practice of interactive immersive content
Support the development of new business models
Human-Computer Interaction producer coordination with 3D artists and developers
Define KPIs and write data analysis specifications for impact evaluation and assessment
Work with impact producers and coproducers marketing teams to define release strategy roadmap
Work with creators to design campaigns to create social impact
Optimize organic dissemination and cross-pollination to the widest possible audience
Map out relevant social media and interactive engagement methods to support project campaign. Map out all relevant and specific audiences, in collaboration with partners
Consult local partners for specific calls to action with specific audiences
Work with executive producers to develop tools and XR production practises guides
Work with creators to define exit strategy
Detailed Description
Work with THE ENEMY director and executive producer to write Google Digital News Initiative Grant submission
Define, execute and manage Google DNI milestones for THE ENEMY grant
Provide support to researchers for THE ENEMY impact measurement studies grant submission - to compare impact from documentary interviews with impact generated by the VR experience
Work with schools to introduce THE ENEMY in connection with the AR application and/or VR installation
Develop THE ENEMY curriculum and interactive map allowing users to follow the impacts of their personal engagement and sharing
Spkeaker or panelist on various BtoB and BtoC events
Creative Technologist
MemoProd
August 2011
to April 2014
Freelancer
Paris
France
Work with executive new media producer
Social design, video editing & community management
Production & post-production coordination
Detailed Description
THE END ETC. (2012-2014): a web-documentary-fiction experience: http://the-end.nouvelles-ecritures.francetv.fr/ Starring Élodie Bouchez, Aurore Clément, Jérôme Kircher, André Wilms OST by Jean-Louis Murat A unique web-based experience that questions our societies through the lens of commitment and disengagement. This three level experience includes a research-based narrative designed with the French Institute for Research and Innovation. The audience can participate and influence the sequences order with their own tags, as an echo to the words proposed by the filmmaker. A transitional space allowing a transversal reading of the complete raw material of the director to invite the audience to share their own generated film on social medias.
Collaboration with a French research lab that develops real-time online interactive editing tools (2012-2014)
MÊME PAS MAL (2011-2012): transmedia project development
Medical imaging software solutions for international innovative clinical trials (all phases). Contract Research Organization specialised in innovative methodology and adaptive designs.
Centralized medical imaging solutions for international clinical trials. Synarc is a Contract Research Organization that provides clinical trial management and resourcing solutions to pharmaceutical, biotechnology and medical device organisations.
